volbeat return home and make history as the 1st danish band to sell out telia parken and deliver the biggest danish rock show ever! the 180 gram triple vinyl is housed in a gatefold sleeve with booklet and download code inlcuded.

2lp als 180g virgin-vinyl-pressung mit allen 17 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12” größe.

third part - ltd to 200!!

remastered for vinyl from the original analogue stereo master tapes and pressed on 180 gram heavyweight vinyl. the cover artwork replicates the original design.

korpus 9 welcome robert s for four new cuts of techno

stunning set of remixes from jamal moss, afrikan sciences and blood, wine or honey. serious tip!!

the 2000 album from doro back as limited blue & lilac splattered double vinyl, housed in a gatefold sleeve.

an essential 1976 release from lee perry & the upsetters back on vinyl.

experimental soundscape on vinyl

300 copys only

reissue on translucent red vinyl - marvel standard cover edition.

triple vinyl in triple gatefold sleeve.

reissue on translucent red vinyl - limited marvel hologram-cover edition with exclusive comic.

inclusive ben vinces remixes

subconscious algorithms release their second transmission from man machine derek carr.sa002 follows on from dereks groundbreaking album on subwax.infusing a cosmic sense of rhythm and timeless emotional melodies. deep motor city music for the future from subconscious algorithms.

the original motion picture soundtrack from “fantastic beasts: the crimes of grindelwald” on double vinyl, housed in a gatefold sleeve.

kommt mit 12 inch einleger, aufkleber und ist handgestempelt.

limited edition of 750 copies - 1st vinyl is black, 2nd is red.

the 10th anniversary celebration continues with the second installment of the eternal series. four deep, atmospheric and melodic cuts from tensal, aleja sanchez & ricardo garduno, ness and edit select. pressing on gold coloured vinyl.

repress of the 2011 symmetry album on red coloured triple vinyl.

pressing on cherry red 180 gram vinyl, cut at 45rpm.

cardopusher is back on boysnoize for part 1 of his new “a convenient excuse” ep series.

limited edition of 750 copies - 1st vinyl is black, 2nd is orange.

zodiac wax is unlike other record labels. its founder, zodiac childs, initially conceived of it as a fictional alternative to dance music’s terminal timeline, an environment to nurture music which stands for escapism, music which atomises a story and gives that universe life. after an intimate creative gestation, childs introduces us to his band of digital misfits, whose myriad approaches to dance music are smelted together to form the catalogue of razor-sharp cuts that is faction.

heavenly brings us the debut album from audiobooks. the vinyl release includes a download code.

the 2013 album from ghostface killah and apollo brown “twelve reasons to die” aka “the brown tape” is finally back on vinyl.

for fans of kraftwerk and industrial sounds

produced by producerlegend toby wright (korn, alice in chains, stone sour)!

tuskegee music welcome jamal moss, better known as hieroglyphic being, with his epic house tunes on 2x12 inch vinyl

after 10 years of releases since 2007, the label is happy to add some fresh blood to the imprint. a compilation in two volumes will see the light this summer. here is the vol.1 with france 98 aka leo pol, walid from infoline & hank rideau

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on white vinyl.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on red vinyl.

recorded at the age of 14, in 1956, under the direction of her father, reverend c. l. franklin, these gospel recordings of a teenaged aretha franklin are not just a sign of the brilliance to come, they are a force unto themselves. at this time aretha was performing in her father’s church, new bethel, in detroit, and traveling with her father’s »gospel caravan« tours, performing with the likes of sam cooke & the soul stirrers. like so many of the soul and r&b stars of the 50s and 60s, aretha started out in the church and it was there that she made some of her most powerful and transcendental music.

the new album from cypress hill as double vinyl in gatefold sleeve,

milan based collective just this return with their biggest compilation yet, a twelve track package featuring varied entries from label regulars and esoteric talents alike

a reissue on vinyl of dj shadows 2nd album – unavailable since first released in 2002.

horrorfilm “the johnsons” was one of the biggest productions of 1992 in the netherlands. the film won international acclaim and became a cult classic in the u.s. and japan, yet failed to make an impact on the dutch cultural landscape. or so it was thought... 25 years later, the celebrated documentary “xangadix lives!” (bram roza & yfke van berckelaer, 2017), shines a new light on the untold story behind the film’s troubled production and the legacy it left behind... “xangadix lives!” the original motion picture soundtrack, is composed by award winning producer and deformer initiator, mike redman. it’s now available on limited edition blood splattered vinyl. get it now, because when we say limited edition, we mean limited edition!

erstmals vollständig auf vinyl: das legendäre debütalbum der australisch-britischen d&b-formation pendulum, die damit 2005 aus dem stand in die szene einschlugen. mit sämtlichen 14 tracks der original-cd plus dem bonustrack “blood sugar” (einem späteren 12” track aus 2007). limitierte triple-lp-auflage auf 180g heavyweight vinyl!

daniel terndrup ist ein in los angeles ansässiger dj, produzent und langjähriger plattensammler, der zu einer lokalen autorität vergangener musik geworden ist. er ist regelmäßiger gastgeber in radiosendungen auf dublab (crosseyed & painless) und nts (heat-wave) und veranstaltet gleichzeitig eine wöchentliche party für heat-wave in zusammenarbeit mit wyatt potts im ehemaligen hollywood stripclub gold digger. daniel begann vor einem jahrzehnt als eine hälfte von cosmic kids musik zu machen. neben ron poznansky machte er sich einen namen mit berauschenden house und astral dance tunes auf kultlabels wie throne of blood, let s play house und dfa. das duo remixte auch namhafte künstler wie the rapture, holy ghost!, poolside und superhumanoids. nach einer handvoll veröffentlichungen mit cosmic kids wendete er sich eigenen projekten als daniel t. zu. sein solo-output ist inspiriert von allem, was sich beim durchblättern seiner plattensammlung findet: funk, post punk, new age und pop (z.b. compass point all stars oder yellow magic orchestra). die musik, die er als daniel t. veröffentlicht, spiegelt seinen globalen geschmack wieder, ist aber unauslöschlich gefiltert durch seine südkalifornische umgebung. die vinyl-lp erscheint inklusive downloadcode.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

producer gavin hardkiss offers a transcendental sound echoing the 90s with four cuts from the hawke album love in stars.

into the light is launching a parallel and limited series with contemporary material from both greek and international artists. first stop is the album postclub prism by the german producer cass. offering ten gorgeous ambient pieces about light and romance. since 2012, niklas rehme-schlüter aka cass. has released albums of varying styles, from the rather organic and loop based ambient pieces on loops & farewell sketches and the red atlantic ep on throne of blood in 2017, influenced by 80s pop sonics, to the more balearic and percussive recordings on the sound of glades together with wolf müller in 2016. on his new record postclub prism cass. explores his affinity to calm and atmospheric ambient music at the threshold to the reverberant sound of club music.

fresh from starting his own label insult to injury, timothy clerkin returns to ransom note records with the knife edge heart ep. three tracks of stirring techno for dark basements and warm hearts. timothy is a very interesting man, but hes also the sort of person whod rather let his music do the talking, so well move on swiftly. the mvp here is knife edge heart, an unabashed pop song whose shimmering exterior is cut through with flashes of steely darkness. frequent collaborator natalie reiss’ glacial voice is held at the perfect level of remove, while timothy allows his love of shoegaze to blossom with a guitar line that seems to extend like a ladder to the stars. with you bridges timothys opposing impulses, balancing sparkling synths and a celestial vocal sample with churning low-end, while divisive is paranoid warehouse techno at its very best. with his debut solo album out soon on phantasy, gabe gurnsey of factory floor stops by for a lurching, seasick remix of knife edge heart that sounds like the onset of the robot apocalypse weve all been promised for so long. after cutting his teeth as one half of eskimo twins, timothy launched his solo career in 2014 under the now-retired heretic moniker. hes since released on labels including throne of blood, hard fist and days of being wild. timothys last release on rsn was the serenade ep, which brought us plenty of special moments last year - most memorably andrew weatherall closing out his houghton quarry set with execute. heres to many more this summer and beyond.

uvb-76 music’s latest offering ushers in new blood to the camp in the form of stave. the chicago resident’s ‘atk’ ep sees the tempo submerge to lower depths and the pressure intensify amidst the harsh dynamics and sonic battery that the label is now synonymous for. a four track rhythmic cavort that plays the urge to dance and the allure of subversive nature.

der wahnsinn hat methode: neuinterpretation der dub-blaupause -super ape-.
nachdem er sich mit sir coxsone, dem legendären chef des kingstoner labels studio one, zerstritten hatte, gründete lee perry zuerst seine eigene band und dann, 1973, im hinterhof ein eigenes studio. was aus der not geboren wurde, entwickelte sich zu einer einzigartigen erfolgsgeschichte. sowohl mit den upsetters als auch dem black ark schrieb perry musikgeschichte, insbesondere durch das 1976 veröffentlichte -super ape--album, auf dem er gewissermaßen das genre dub auf unbekannte weise aus dem mischpult brodeln ließ. für perry ist das studio wie ein lebewesen. ob er es wirklich so empfindet, oder einfach nur zu viel ganja in rauch aufgehen lässt, aber bei perry ist das equipment organisch, empathisch und intelligent. der clou: so hören sich die resultate auch an! lange bevor man das sampling erfunden hatte, schichtete er tonspuren aus tiefen bässen, echos und hall mit diversen, selbst aufgenommenen, gerne rückwärts laufenden klangsequenzen auf-, in- und übereinander. heißt: perry war der erste produzent, der anstatt der band die musik machte. das brachte ihm unter anderem den titel salvador dalí des dub ein. dass der Über-80-jährige bis heute nichts von seiner experimentierfreude verloren hat, zeigt der mit dem new yorker subatomic sound system besorgte re-edit seines meilensteins.

remastered reissue of bruce springsteens greatest hits on double vinyl, housed in a gatefold sleeve.